
Public sector marketing has a harder job than most people realize. You can't choose your audience, you can't outspend anyone, and every dollar you do spend is a matter of public record.
There's no target demographic. A transit system serves the commuter, the person without a car, the tourist, and the city council member who votes on the budget. You can't segment your way out of it, because everyone is the audience and everyone is a stakeholder.
Spending is scrutinized. A campaign that would be unremarkable at a company becomes a line item someone can point to at a public meeting. That's not a reason to do less, but it is a reason to be able to explain every choice in plain language.
And trust is often the actual product. Ridership, program enrollment, and participation all depend on people believing the institution will do what it says. Marketing that overpromises does lasting damage, because the audience can't take their business elsewhere. They just stop believing you.
I write for people, not for the org chart. Public sector communication drifts toward the language of the agency rather than the language of the person trying to catch a bus or sign up for a program. Fixing that is usually the fastest improvement available.
I build for scrutiny. Every recommendation should be defensible to a council member, a reporter, or a resident who wants to know why the money was spent that way.
And I plan around approval cycles rather than pretending they aren't there. Public work moves through more sign-offs than private work, and a plan that ignores that is a plan that dies in committee.
Birmingham MAX Transit. Brand and campaign work for the city's public transit system.
City of Atlanta Solicitor's Office. Marketing and communications for the city's prosecuting arm in Atlanta Municipal Court, including the educational services and resources the office provides to local residents.
Communications directors, marketing leads, and agency heads at municipalities, transit authorities, and public-serving organizations. Usually someone who has to reach an entire population on a public budget, and needs work that holds up to both a resident and a council meeting.
I plan around them instead of pretending they are not there. Public work moves through more sign-offs than private work does. A plan that ignores that is a plan that dies in committee, so approvals go into the timeline from the start.
That is part of the work, not an afterthought. Every recommendation should be defensible in plain language to a council member, a reporter, or a resident who wants to know why the money went there. If I cannot explain it that way, it should not be spent.
You do not segment your way out of a public audience. I write for the person actually trying to catch the bus or sign up for the program, in their words rather than the agency's. That reaches more people than demographic targeting does.